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Country of origin:

Country of birth:

Year of birth:

Age at arrival in Italy: years old

He leaves the country of origin for reasons

The arrival in Italy did not involve intermediate stops

He arrives in Italy with family members

The map follows the movements of the interviewee, ending the year after their arrival in Italy

Clement Tachè was born in Damascus, Syria, in September 1931. His parents, Yusef and Bahia Kamkhaji, were Syrians of long standing, part of a community that had been deeply rooted in that land for centuries. The family was large, consisting of seven other siblings: Jacques, Marco, Simon, David, Emilie, Lucie, and Mida. The Tachè family lived in the Shaar al-Yahud neighborhood, an elegant avenue primarily inhabited by wealthy Jews, in contrast to Harat al-Yahud, where less fortunate families resided. The Tachè home was spacious, with two floors and a large garden, and it included the workshop used by Clement’s father, who was a goldsmith.

In the streets of Damascus and within the walls of his home, Clement spoke Arabic, but both he and his siblings received a Jewish education in the French schools run by the Alliance Israélite Universelle. Until the mid-1940s, Clement recalls a relatively peaceful coexistence between Jews and Muslims, though he remembers witnessing the first signs of intolerance against Jews as a teenager.

In the streets of Damascus and within the walls of his home, Clement spoke Arabic, but both he and his siblings received a Jewish education in the French schools run by the Alliance Israélite Universelle. Until the mid-1940s, Clement recalls a relatively peaceful coexistence between Jews and Muslims, though he remembers witnessing the first signs of intolerance against Jews as a teenager.

I told my mother: “I can no longer live in this country after seeing these scenes”

Clement Tachè: 

The main reason I wanted [to leave Syria] was because one day, I wentI to the cinema and saw the news. They were showing the crematoriums, and people in the theater were applauding when they saw people being burned [there]. I was very shocked.

Interviewer: 

What year was this, roughly? ’45?

Clement Tachè: 

Yes, ’44 or ’45, just a few months before, because I left [Syria] in April 1945. There were emissaries from Palestine encouraging young Jews to go to Palestine.

Interviewer: 

So, they came?

Clement Tachè: 

Yes, yes, yes. I was influenced, and then I went home and told my mother: “I can no longer live in this country after seeing these scenes.”

During these turbulent years, Clement, still very young, became involved in Zionist movements. The idea of emigrating grew stronger, fueled by the uncertainty surrounding the Jewish community in Syria. Many began to leave the country, seeking a safer place to live. Marco, the eldest brother, was the first to leave, moving to Tel Aviv, where the family owned a jewelry shop. At just under fourteen years old, Clement decided to join him, and he and another boy crossed Lebanon, passing through Tyre, and then crossed the border on foot until they reached Kibbutz Ir Ha-Shaar.

When darkness fell, we started walking

Clement Tachè: 

I wasn’t yet sixteen, it was the end of ’47.

Interviewer: 

But did you leave alone?

Clement Tachè: 

Yes, with someone who helped me cross, we were two, two Jews. A Muslim helped us cross, he was the one…

Interviewer: 

And you went to Palestine…

Clement Tachè: 

Yes, we arrived at a Kibbutz, Ir Ha-Shaar, maybe around four, four thirty in the morning.

Interviewer: 

Was it by chance, or was it prearranged?

Clement Tachè: 

No, no, it was planned. He was supposed to bring us to this kibbutz, and they feared British raids because if they saw people [entering illegally], they would imprison them. They hid us in a cowshed for two or three hours that night so we wouldn’t be discovered.

Interviewer: 

Where did you enter Palestine?

Clement Tachè: 

From Lebanon, from Tyre, and then when darkness fell, we started walking. We walked through the mountains from about nine in the evening until four in the morning in order to reach this kibbutz.

Interviewer: 

And was that the fastest way to get to Palestine?

Clement Tachè: 

I don’t know, but the person who helped us cross the border knew this route.

Interviewer: 

And did you have to pay?

Clement Tachè: 

Yes, of course. My brother-in-law in Lebanon knew him. Once we arrived…I happened to have twenty dollars, that was all I had in my pocket. On the way, he said, “Be careful, if you have money, give it to me, because there are sometimes thieves.” I gave it to him, but then when we arrived, he left. I arrived without a penny. When the first bus service from the kibbutz to Haifa started, they sent us to the Sochnut [Jewish Agency]. The Sochnut asked if I had any relatives. [I replied:] “I have my brother.” Marco, who was in Tel Aviv, had a jewelry store. So they gave me a bus ticket from Haifa to Tel Aviv. I arrived in Tel Aviv and went to my brother.

Clement Taché with his wife Yona Katri, Milan, circa 1975. Archives CDEC Foundation

Once in Tel Aviv, Clement was reunited with his brother Marco. After 1948, their other brothers Simon and David also joined them in Israel. In the same year, the rest of the family, exhausted by the precarious conditions facing the Jews in Damascus, moved to Lebanon, leaving everything they owned in Syria. In 1951, Clement left Israel for Paris, where he stayed until the end of 1956. He studied French civilization at the Sorbonne and continued to manage the family’s jewelry business. Crossing all these borders made it impossible for Clement to return to the Middle East to visit his parents: after the founding of the State of Israel, Clement obtained an Israeli passport, losing the ability to return to Lebanon. He only managed to see his parents again in the mid-1950s after he obtained a Mexican passport.

with that Mexican passport, I was able to go to Beirut

Clement Tachè: 

When I was in France, I couldn’t go [to Lebanon]. So they got me a Mexican passport in Lebanon, and with that Mexican passport, I was able to go to Beirut twice in ’55–’56. But later, when I moved to Venezuela, that’s when I truly naturalized, and I obtained a Venezuelan passport. Then I could go to Lebanon without any problems.

After a brief return to Israel, called back for military service during the Suez War, Clement went to Antwerp to visit his brother Jacques, who was engaged in the diamond trade. However, in early 1957, he reunited with his brother Marco, who in the meantime had moved to Caracas. In the early 1960s, life in Venezuela became difficult due to the revolution, and the diamond trade was no longer as profitable as it once was. Having already visited Italy and feeling drawn to the country, Clement decided to move to Milan in 1960, where there was already a small community of Syrian Jews.

Clement continued to work as a wholesale diamond trader, and thanks to his Venezuelan passport, he visited his parents in Beirut every summer. During one of these stays, he met his future wife, Yona Katri. The two married in 1962, the year Yona also moved to Italy, beginning a new phase of their life together.

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Come leggere i data portrait
I dati rappresentati nei data portrait riguardano il genere, l’età all’arrivo in Italia, il decennio di arrivo in Italia, il paese di origine, i motivi della partenza, se il viaggio ha incluso tappe intermedie o è stato diretto e se la persona ha viaggiato da sola o con la famiglia.

Genere ed età all’arrivo in Italia

Femmina, età 0-9

Femmina, età 10-19

Femmina, età 20-29

Femmina, età 30-39

Femmina, età 40-49

Femmina, età 50-59

Femmina, età 60-69

Femmina, età 70-79

Femmina, età 80-89

Femmina, età 90-99

Maschio, età 0-9
Maschio, età 10-19
Maschio, età 20-29
Maschio, età 30-39
Maschio, età 40-49
Maschio, età 50-59
Maschio, età 60-69
Maschio, età 70-79

Maschio, età 80-89

Maschio, età 90-99

Decennio di arrivo in Italia

1940
1950

1960

1970

1980

Paese di origine

Egitto

Iran

Libano

Libia

Siria

Tunisia

Motivi della partenza dal paese di origine

Politici

Economici

Studio

Personali

Viaggio diretto o con tappe intermedie prima dell’arrivo in Italia

Viaggio diretto

Tappe intermedie

Arriva in Italia da solo/a o con familiari

Arriva in Italia da solo/a
Arriva in Italia con familiari

Cos’è un data portrait
Un data portrait è un’interpretazione artistica di un set specifico di dati riguardanti un individuo, che viene quindi ritratto a partire dai dati, anziché raffigurarne l’aspetto fisico come nei ritratti tradizionali. I data portrait sono rappresentazioni visive che mediano tra la visione dell’artista, i dati del soggetto e l’interesse del pubblico (Donath et al., 2010).
Seguendo questo concetto, i data portrait sviluppati da Sara Radice specificamente per il progetto TRAME forniscono un “ritratto” delle persone rappresentate, basato su alcuni dati specifici di interesse per il progetto e indipendente dal loro aspetto fisico.

Bibliografia e crediti
Judith Donath, Alex Dragulescu, Aaron Zinman, Fernanda Viégas, Rebecca Xiong; Data Portraits. Leonardo 2010; 43 (4): 375–383. doi: https://doi.org/10.1162/LEON_a_00011.

I data portraits ideati per questo progetto traggono ispirazione da alcuni progetti di data portraits di Giorgia Lupi, come, per esempio, l’installazione fisica “…Ma poi, che cos’è un nome? ” sviluppata per la Fondazione CDEC presso la Triennale di Milano nel 2018 e i TED Data Portraits del 2017.

How to read the data portraits
The data represented in the portraits include gender, age at arrival in Italy, decade of arrival in Italy, country of origin, reasons for departure, whether the journey included stops or was direct, and whether the person traveled alone or with family.

Gender and age at arrival in Italy

Female, age 0-9

Female, age 10-19

Female, age 20-29

Female, age 30-39

Female, age 40-49

Female, age 50-59

Female, age 60-69

Female, age 70-79

Female, age 80-89

Female, age 90-99

Male, ages 0-9

Male, ages 10-19

Male, age 20-29

Male, age 30-39

Male, age 40-49

Male, age 50-59

Male, age 60-69

Male, age 70-79

Male, age 80-89

Male, age 90-99

Decade of arrival in Italy

1940

1950

1960

1970

1980

Country of origin

Egypt

Iran

Lebanon

Libya

Syria

Tunisia

Reasons for departure from the country of origin

Politics

Economic

Study

Personal

Direct trip to Italy or with one ore more intermediate stops

Direct trip

With one ore more intermediate stops

She/He arrived in Italy alone or with family members

She/He arrived in Italy alone

She/He arrived in Italy with family members

What is a data portrait
A data portrait is a form of artwork that visually represents a specific set of data about an individual, rather than depicting their physical appearance like traditional portraits. Data portraits are subjective renderings that mediate between the artist’s vision, the subject’s data, and the audience’s interest (Donath et al., 2010).
Following this concept, the data portraits designed by Sara Radice specifically for the project TRAME allow for an understanding of a person through various data points, enhancing the viewer’s understanding of the subject beyond their physical appearance.

References and credits
Judith Donath, Alex Dragulescu, Aaron Zinman, Fernanda Viégas, Rebecca Xiong; Data Portraits. Leonardo 2010; 43 (4): 375-383. doi: https://doi.org/10.1162/LEON_a_00011.

The data portraits designed for this project draw inspiration from the data portraits projects designed by Giorgia Lupi, such as the physical installation “…Ma poi, che cos’è un nome?” for the CDEC Foundation at the Milan Triennale Museum in 2018 and the TED Data Portraits in 2017.